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Upstairs at Eric's : ウィキペディア英語版
Upstairs at Eric's

''Upstairs at Eric's'' is the debut album by British synthpop duo Yazoo (known in the US and Canada as Yaz), released in the UK on Mute Records on 20 August 1982. It was produced by the band and E.C. Radcliffe, with assistance from Mute label boss Daniel Miller on some of the tracks. Named after producer Radcliffe's Blackwing Studios where the album was recorded, ''Upstairs at Eric's'' was preceded by two top three UK singles, the ballad "Only You" and the more uptempo "Don't Go". The singles' success helped ''Upstairs at Eric's'' reach number 2 in the UK Albums Chart and gain platinum certification for 300,000 copies sold in the UK.〔(British Phonographic Industry searchable database )〕
Against the group's wishes, "Situation", originally the B-side of "Only You" in the UK and Europe, was released as the band's debut single in the US and Canada, where a remixed version of the song by DJ François Kevorkian was a hit in the clubs and reached #1 on ''Billboards Club Play Singles chart. On the ''Billboard'' Hot 100 chart "Situation" was a minor hit in the US, peaking at #73, while in Canada it made the top 40, peaking at #31. The North American version of the album subsequently substituted the remixed version of "Situation" for the UK album track "Tuesday". ''Upstairs at Eric's'' reached #92 on the ''Billboard'' 200 album chart in the US and #49 on the Canadian album chart.
The album track "Midnight" was later sampled by Rex the Dog for his 2008 dance hit "Bubblicious".
==Recording and composition==
Following the success of their debut single "Only You", Clarke and Moyet rapidly recorded the album to maintain their high profile. As Clarke's only previous experience of a recording studio had been Blackwing Studios in south-east London, where he had made Depeche Mode's debut album ''Speak & Spell'', his immediate thought was to record Yazoo's album there as well: he said later, "I didn't know of any other studios, so I just assumed that Blackwing was the only studio I could record at". However, when the duo arrived at Blackwing they found that not only was Daniel Miller unavailable to produce the album, contrary to Clarke's expectations, but the main studios had already been booked out during the daytime by Fad Gadget, another Mute label act. Instead Clarke and Moyet had to record the album in the early mornings with studio owner Eric (E.C.) Radcliffe overseeing most of the recording process, turning up around 5 or 6 a.m. and working through until 11 a.m. each day in whichever of the two studio spaces were available at the time.
On the 30th anniversary of ''Upstairs at Eric's'' in 2012 Clarke told ''The Quietus'' that there had been no grand plan for the album's creation: "We just came together and it was a bit of a mish-mash really. There was no concept or theme running through the album; we were just messing about in the studio. Part of the charm of that album is a naivety. There really wasn't a profound concept that was running through the recording. I didn't really know what I was doing in the studio and Alison hadn't much experience of being in a recording studio, so everything was new. We'd make one sound and we'd think it was great and just stop there and wouldn't make any more sounds. It wasn't like we were continually honing or over-producing songs because everything at the time sounded fresh. That's why a lot of the tracks only have eight or nine elements to them."〔
Clarke's compositions "I Before E Except After C" and "In My Room" explore the use of cut-up vocals, including his own spoken word voice. "I Before E Except After C" features both Moyet and Eric Radcliffe's mother separately reading out the instruction manual for one of the pieces of studio equipment, with Moyet struggling to keep herself from laughing.
Moyet later described how her song "Goodbye 70's" had been inspired by her disillusionment with how the late 1970s punk scene had turned out, saying, "'Goodbye 70's' is about punk and not caring how you were dressed, and then I discovered that so many of my friends that I'd thought it all really meant something to just saw it as another trend... That's what 'Goodbye 70's' was all about, about how sour the whole thing became."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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